#that moon took so fucking long

[atanxdoesstuff]

T S U K U Y O M I

[piowasthere]

happy [late] valentines day!

coming right at ya w/ some Lumini

(this took way more days then it was supposed to ._.')

[fellow-fandom-fruitifier]

The hero and the warrior were like the sun and the moon. (Spoiler: They mean gay.)

(Sketches & stuff under the cut)

Sketch 1 & 2

Line art, BKG, & shading layer cause it’s cool

[ricky-mortis]

A portrait of Sir John Herschel because I‘m normal about Pulp Musicals

[lu-is-not-ok]

Everything you need to know from Leviathan

First things first: this is Not a story summary of Leviathan. This is merely a collection of all the pieces of characterization, backstory, and worldbuilding that I believe is or will be relevant in Limbus Company.

I encourage everyone who has finished Library of Ruina (or doesn't care about spoilers to that game) to read Leviathan yourselves, as I will be skipping over most of the actual plot of the novel.

Also, due to the nature of Leviathan as the direct sequel to Library of Ruina, some endgame spoilers to that game will inevitably come up. That being said, I will try my best to keep those spoilers as minimal and vague as possible.

Preamble: Done. Let's get into this. Something something long post warning ahead. It's also kind of chaotic and borderline incomprehensible. If I missed something then, uh, whoops.

Event Timeline:

The end of Library of Ruina directly causes an event dubbed "the first miracle" by some, and "the second passing of White Nights" by others, during which the people killed in the Library would begin returning to the City as if nothing happened.

An orphanage in the Backstreets of District 22 (V Corp's) was at the epicenter of this event, being destroyed in the process and causing the Ring to take interest in the children raised there.

The events of Leviathan follow half a year after this event, and seem to take place over the course of at least a few days. It's as of yet unclear how much time has passed between the end of Leviathan and the beginning of Limbus Company.

Vergilius:

Vergilius comes from District 22 (V Corp's), a Nest filled with wide water canals and boats that make use of them, making it somewhat reminiscent of Venice.

Vergilius used to be the operator of a highly-experienced and skilled Fixer Office. The lowest Grade Fixer at that Office is Grade 3 until a rookie joins them during the events of Leviathan. This Office seems to be dissolved by the end of Leviathan after half of the Fixers working for it die.

Vergilius's title, the Red Gaze, is a stealth pun in Korean. The word used for Gaze is a homophone to the characters used in an epiphet meaning Immortal Poet.

The red eyes Vergilius is named after appear to have a certain kind of aura to them, which causes him to draw attention to himself and be easily recognised. For missions where stealth is involved, Vergilius has a special pair of glasses to make his gaze less recognisable.

Also, Vergilius owns whole-ass calling cards with his Fixer title and a portrait in a Roman-inspired style.

As a Color Fixer, Vergilius is extremely strong and fast, being able to crack the ground underneath his feet when running at full sprint and literally cut through buildings. In fact, Vergilius's body is heavily augmented with artificially woven muscle fibers, which Vergilius compares to hydraullic cylinders and motors in how it feels to use them, though they're not literally mechanical. Despite that level of power, he's noticeably less experienced or skilled than another Color Fixer seen in Leviathan - Iori, the Purple Tear.

Speaking of her, Vergilius appears to know quite a bit about her, including her name, what happened to her in Library of Ruina, and what one of her goals is. She's also implied to have taught Vergilius a technique called Shin that gets introduced later in Leviathan. Also, Iori calls him a junior, implying a difference in either age or experience between the two. Oh, and he also knew Roland.

In addition to knowing those people, Vergilius appears to have also known Carmen before she died. He recognises the nickname Carmen uses for him within the Light as the one she used for him back when they knew each other. Also, back then, Vergilius's weren't as they are now, implying they've known each other before Vergilius was a Color Fixer.

For some time during his work as a Fixer, Vergilius has had the ability to sense "Flow". A fate-like pressure that he sees as trails of shadows and light, pointing him towards a destination he doesn't know. It's a force he notably struggles to resist, only being able to by following dim Flows, rather than the slow but bright Flow. However, doing so merely brings ruin to Vergilius's life, as the dim Flow inevitably guides him back to the slow Flow.

For ten years, Vergilius has been visitting an orphanage in the local Backstreets, donating money and goods and spending time with the children there. He even keeps an old photograph of him with all the orphanage's residents on him.

Before he found the orphanage for the first time however, Vergilius would go on rampages and kill people he believed were contributing to the horrible current state of the City. One of those rampages involved the slaughter of a whole Syndicate, the leader of which was Lapis's father. It's heavily implied that all the children within the orphanage landed there as a direct result of Vergilius's actions.

Vergilius is consistently shown to be stoic and emotionally distant, yet deeply caring underneath his aloof exterior. This is most clearly shown through his relationship with Garnet, the previously mentioned rookie who was raised at the previously mentioned orphanage. Though Vergilius denies Garnet's claims that he raised him, and regularly thinks about how Garnet's sentimentality is going to get him killed, yet he also can't help but feel proud of Garnet in moments where he truly shines, care a lot about Garnet's safety, and feel horrible guilt when he fails to protect him.

Back during his rampaging days, Vergilius is unable to show mercy, with his "attempt" to do so involving giving the last survivor a cut that would let them survive for a few hours, in gratitude for giving him a code to the door. Inversely, current day Vergilius appears to have softened, as his gladius has a heating mechanism that immediately cauterizes the wounds it inflicts. This ensures non-fatal wounds remain not fatal, even if leaving his target alive could cause him issues later on.

Vergilius's motives for taking care of the kids at the orphanage despite being the one who orphaned them are as complex as they are layered. Guilt is clearly a part of that, as Vergilius believes there's no reason for him to see Lapis again when Garnet offers to take him along for his meeting with her. Another part of it might have been Vergilius secretly wishing that one day, one of the kids would realize what he'd done and take their retribution... however it's unclear how "canon" that particular motivation is due to it only being brought up in a vision of a Mirror World. The orphanage was also a reprieve from his former reality filled with wails and begging for mercy. It was a place of warmth, filled with voices of delight waiting for him every time. At the same time, it was a source of hope for him. A place where he could redeem himself, to raise children who could live with the heart he couldn't have, and who could potentially change the City with their virtues alone. All of these motivated Vergilius to cover up and forget about his true goal. One he's been actively burrying during his visits at the orphanage.

That goal? Redacted from the viewer. The first explicitly set up mystery in Leviathan. However, we know that it is directly tied to how Vergilius wishes to change the City.

Vergilius believes that the City is deeply wounded, with its injuries having festered for a long time. He believes that the way to change it is to continue spilling blood, never letting it dry out. To try and pierce through the City's thick shell into its wounded core. When describing the world he wants, he says it's "a world that can only be understood once you feel it with your whole body".

After a talk with Carmen, Vergilius effloresces into his E.G.O, which allows him to wield blood as both a weapon and armor. It also allows him to become one with pools of blood, however he would be unable to leave them if they were to dry while he's inside. However, the usage of his E.G.O is limited by the amount of other people's blood he has available to him. If he were to run out, he'd be forced to use his own, dying painfully in the process.

Also, Vergilius keeps coming up with one-liners when beating people up. It's kinda funny.

At the end of Leviathan, Vergilius is invited into Limbus Company, being promised to give him Lapis (who had been replaced by Charon) and Garnet (who has been reduced to a tiny glowing jewel) back. Thinking back on his past, Vergilius accepts, though the story ends before we get to see the exact terms of his employment.

Charon:

Previously, Charon was known as Lapis, and was one of the kids at the orphanage Vergilius would regularly visit. She was especially close friends with Garnet, who would later become a Fixer and join Vergilius's Office. In fact, Garnet notes how Lapis wouldn't usually open up to anyone but him, and when they did talk she would often talk about Vergilius. She's also noted to not be a fan of studying.

Lapis ended up at the orphanage after Vergilius killed her father during his slaughter of the Syndicate he led. While we don't get to know much about her father, we do know he cared deeply for her, to the point his last words were calling out her name.

In a flashback to her childhood, we learn that Lapis would always suck on bitter candy as she's able to preserve it and suckle on it little by little, whereas sweet things melt away much sooner. She follows this anecdote of hers up by revealing her wish to "try all the flavors in the world" when she grows up.

After aging out of the orphanage, Lapis got a job at a fruit-harvesting company. During the events of Leviathan, Lapis has decided to meet up with Garnet at a private location. However, the area turned out be occupied by Syndicate members, including that of the Ring, and Lapis was kidnapped to be used in the Ring's experiments with Mirror World technology.

At the end of Leviathan, Lapis turned out to be the only of the "gems" to have survived the experiments. However, she did so because she was the only successful one. Her former identity was completely erased, replaced by that of Charon. Initially, Vergilius is hesitant to make contact with her, feeling like keeping his distant will save both of them from pain. However, he relents when Charon finds a still living piece of the jewel Garnet had turned into.

Gubo:

Gubo is one of the researchers at N Corp, and during the events of Leviathan he comes to an auction held by the Ring for the sole purpose of gaining access to their Corridor and retrieving Aseah.

His connections to a Wing allow him to casually bid 10 billion Ahn like it's nothing. Gubo is also notably frustrated when the auctioneer appears to be breaking their own rules, trying to convince them that doing so would put their gallery in ill repute.

To enter the Corridor despite his failure at the auction, Gubo is willing to sacrifice the lives of the people that had accompanied. Notably, Vergilius is able to tell that Gubo did no fighting himself due to his appearance, reckoning he merely hid while others fought in his stead.

Gubo is someone who's willing to keep himself calm and composed regardless of the situation. He's constantly calculating ways to reach his goal, willing to do anything and pay any price to do so. However, that composure is said to reflect insecurity, obsession, and yearning. He is shown to take some ridiculous risks in pursuit of his goals, attempting to attack Vergilius twice despite being clearly outmatched against a fucking Color.

Despite N Corp being at potential odds with the Ring, due to them kidnapping Aseah, Gubo doesn't act hostile towards the Ring's members outside of getting rid of those who were directly standing in his way.

Aseah:

During Leviathan, Aseah is the main researcher working on the Mirror World technology for the Ring. He's specifically working on modifying and tuning an invention made by Young-Ji, the Glass Window.

By that point in time, Aseah had already joined N Corp, however the Ring kidnapped him to use his knowledge for their own gain. Despite such seemingly dire circumstances, Aseah does not seem bothered to be working for the Ring in the slightest.

Aseah is a cold and usually emotionless individual who only cares about his research. In fact, he only ever shows emotions, specifically passion, when realizing he's made a breakthrough or describing how the technology he's researching works. He's easily swayed to risk other people's lives for the sake of pushing his research even further.

One of this main motives for using the Glass Window is to create a Singularity to surpass Yi Sang's creation, as well as any other competing technology of this kind. Despite his self-imposed rivalry with Yi Sang, Aseah still calls him a friend.

At the end of Leviathan, Aseah is successfully retrieved by Gubo . However, a question is posed: for both to get back out of the Corridor, Aseah must be able to know how to navigate it. If that's the case and he could have escaped this whole time, why didn't he? He must have had reasons to not fly away, even though his cage was wide open. Add that to the mystery counter.

Limbus Company:

Limbus Company shows up at the very end of Leviathan, being a new enough Company for Vergilius to have never heard of them before.

A Special Operations Team from a department called LCA raids the Ring's lab, specifically searching for Vergilius. A woman with hair that seems white from far away, but appears graysih close up, approaches him. This is revealed to be Faust, and she's the one who gives Vergilius an offer.

Work for Limbus Company, and we can bring Lapis and Garnet back.

The Ring:

The Ring are a Syndicate that are said to only believe what they see with their own eyes, and are dedicated to the creation and display of various types of art. They also hold auctions for various pieces.

Some of the Ring's art falls within our understanding of it, such as paintings and sculptures. A large amount of it however includes acts of extreme violence or otherwise cruel behavior.

Many of the lower-ranking members of the Ring and Backstreets residents under their protection are considered to be akin to students, being graded on their pieces and taking art exams. While the Ring does allow resits on their exams, flunking too many times will result in death. In such an environment, a lack of inspiration causes people to have mental breakdowns.

As far as we've seen, the Ring hold two different types of art galleries, which I'll refer to as Syndicate-facing and Public-facing respectively.

Syndicate-facing art galleries are structured more like schools, complete with classrooms and suspicious "art" exhibits within the halls. One of those exhibits we see are "statues" of people with animal heads. However, these statues are actually sill living people that are forced to stay completely still under the threat of violence, or "scolding". Oh, and those people also had their mouths and ears sewn shut. This particular exhibition is revealed to be a part of a test that the Ring was holding that night.

Public-facing art galleries look more akin to modern art galleries we'd see in our world, and their lower floors are accessible to pretty much any public person. These floors are filled with more standard types of art, like paintings and sculptures. The top floor of these galleries is considered the VIP floor, where auctions are held and the true disturbing nature of the Ring is shown to the guests there.

During the auctions, every participant has a veil put over their head, and they are to bow in respect when the one holding the auction enters the stage. The art pieces sold on these auctions can be anything from paintings of real slaughters that took place in the City, to objects made out of or containing pieces of actual people, to straight up dancers stuck eternally dancing in glass stages in which time flows slower. Additionally, the person who wins the bid on the "meister's most cherished work" will be allowed into the Ring's Corridor.

At the time of Leviathan's events, the Ring not only has access to the Corridor, but also Mirror World technology in the form of the Glass Window.

A secret research lab was kept hidden within one such Corridor, where the Ring would test Mirror World technology on "gems" - young people who came from the orphanage at the epicenter of the Miracle. These experiments involved these people experiencing many Mirror Worlds at once within their mind, with those people physically shattering if pushed too far.

The Ring's goal with their research of the Mirror Worlds is to open as many Rifts to as many of them as possible, with one of the high-ranking Ring members saying they wish to open ten thousand rifts at minimum.

This plan appears to be thwarted by the end of Leviathan. It's vaguely implied that N Corp and/or Limbus Company seized the tech in the Ring's possession, leaving it unclear if the Ring still has access to it currently.

Over the course of Leviathan, we learn of two different high positions within the Ring: Docents and Maestros. Each can be identified by the kind of ring they wear on their ring fingers. Also, all of the ones we've seen thus far are gender non-conforming as fuck.

Docents are responsible for taking care of and monitoring the art galleries. Notably, they are responsible for guiding guests and giving lectures on the lower floors of their public-facing galleries. These lectures appear to involve explaining the ideals of their Maestros. Docents wear two-coiled rings that extends down the top of their hands and coils around their wrists.

Maestros are responsible for holding the auctions and appear to have a high amount of control over the Ring's actions. They wear three-coiled rings. They also notably act a lot more according to what they believe is true art, as opposed to the Docents who can still be swayed by money and social standard. As an example, Maestro Jumsoon decides to give his most prized artpiece not to the person bidding billions of Ahn, but to the person who convinces him they can complete the piece due to being personally involved in what it represents.

N Corp:

The physical location of the Ring's secret lab appears to be within N Corp's District. However, due to its entry point being connected to the Corridor, it's unable to be accessed from outside the Corridor.

One of N Corp's main source of income and culture are so-called suicide vending machines, or vending machines that dispense canned experiences that specifically allow a person to experience suicide. This bit of technology is considered both amazing and condemnable, and is said to be one of the main reasons people move to N Corp's Nest.

N Corp Taboos are upheld vehemently. Recorded footage of that secret lab, even without knowing it's located in N Corp, would result in Taboo Hunters being sent out over the breaking of the Nest filming taboo. They are highly efficient, going after everyone who had seen the recording before finally retrieving the footage.

M Corp:

M Corp's full name is MDM Enterprise. In Leviathan, we see M Corp do business with the Ring through delivering their product to them - an entire moonlight stone.

A moonlight stone delivered in a massive box filled with a flesh-like cushion around the stone. Opening the box requires using an unlocking mechanism composed of multiple various levers. Everyone present in the same room as the box during its opening are required to wear ear plugs, while those actually opening it also require airway protection. Upon being pulled open, the stone needs to be cut out of the flesh cushion using a knife.

If sufficient ear protection is not worn during this process, the sound the stone emits while being forced out of its container will cause all that hear it to experience a "wave of hiraeth". This is shown as a sort of dissociative state where the person rambles about the ocean being their home and family, and how they need to return to it.

The moonlight stones themselves appear similar in shape to large pearls. The Ring appears to use them by putting them in translucent containers, where the stone is attached to multiple electrodes and tubes for a yet unclear purpose.

The Light:

After the second passing of White Nights, people would begin transforming into forms similar to cocoons or eggs. This happens when a person becomes aware of how unbearable the world around them is, causing them to retreat from reality.

When seperated from their bodies, people establish their... Redacted. Yet another mystery. However, it's implied to be something along the lines of the ideal world they wish to create, or the dream they wish to make true. If they manage to set this Redacted and endure the process, they can be born anew as a Distortion (or potentially with Effloresced E.G.O). If they can't their bodies are seized by their sins, resulting in the creation of a Peccatulum.

This process is pointed out as being different to the process of Distorting that we're used to seeing, though it's not yet unclear to what extent.

The inside of the Light as utter stillness, shimmering as if somethered in light. When someone is inside the Light, Carmen attempts to guide them towards a specific conclusion, acting kind and trying to absolve them of any guilt over their actions, while showing an utter lack of pity or genuine feeling. She's able to see past the facades people put up, directly looking into what they have been through. She uses that knowledge to direct people towards realizing their true desires and wishes.

Carmen is able to meet and talk with people whose hearts "crack". Who are too overwhelmed with their emotions in the moment. When she discovers a person's true wish has been buried and hidden away, she acts as if the act is so painful that it hurts her by proxy. She uses this opportunity to offer these people the power to create they consider right, one only for their own eyes.

She claims that she's helping everyone paint the City with their own colors, much like the Light, in which all colors perfectly blend together. When it's pointed out to her that doing so would be impossible, due to everyone's colors being different and thus it being impossible for them all to exist together in perfect harmony, Carmen responds by saying everyone should be dedicated to protecting and fighting for the sake of their own world, even if it means fighting the entire world itself.

Carmen describes the process of Distorting or Efflorescing E.G.O as becoming a "self unbound by the eyes and standards of the City", with Carmen attributing the latter to being Ayin's idea. Carmen says that she believes the final destination of everyone's ambitions is Love, specifically unconditional Love towards oneself, as the only person that can truly understand and love them is themself. This is where Carmen and Ayin come into conflict. Ayin believes people should be able fight using clothes and tools, holding the human form in high regard. Carmen, on the other hand, sees that as unnecessary moderation, and argues one should express their love through their body, so that it and their heart can become one.

Effectively, Carmen is trying to guide people to only caring about themselves and their desires, disregarding everything around them. She does so through a "friendly, yet ruthless pressure", by offering the seemingly perfect solution of absolute self-love at the cost of being blind to one's reality. She knows what the "right" choice is, and will be disappointed if one were to choose the other option, but she won't stop anyone from pursuing their desires even if their way is different from what she's envisioned.

...There is a purpose to it all. A goal Carmen has for herself. After all, she's a person too. It's another bit of information that's redacted, setting it up as yet another mystery, but we do have a hint towards what it could be. Somehow, a person who was given power by Carmen failing to fight for their wish appears to contribute towards Carmen's personal purpose.

Speaking of that, Leviathan reveals another, more violent way to defeat a Distortion. By proving the fundamentals of a Distortion's beliefs wrong, by breaking the foundation upon which their wish was built, the Distortion begins to fall apart. With nothing left to its form but vague concepts, an Abnormality is born, tearing out of the Distorted person's body and killing them instantly.

Peccatulae:

The Peccatulae are the result of the process enabled by the second passing of White Nights, in which a person retreats into a cocoon-like form upon finding the world too unbearable and faces an ordeal within. If the person fails the ordeal by not being able to find a wish for which's sake to return to their world, their body is left to be fed on by their sins. This results in their bodies transforming into manifestations of those sins - the Peccatulae. Once this transformation takes place, it cannot be reversed.

Peccatulae are not Distortions, as they are what happens when one lacks the strong desire needed to either Distort or Effloresce E.G.O. They are also not Abnormalities, as unlike them the Peccatulae can be killed.

The Peccatulae visually lack any humanity they may have had before the transformation. At the same time though, the cries they let out are compared to that of humans burdened by life, by the sin of bearing sin.

Those cries are also seemingly able to affect one's mind, causing memories associated with the Peccatulum's Sin Affinity to resurface.

The Glass Window:

The Glass Window is a piece of technology created by Young-Ji, which was co-opted by Aseah and studied by the Ring. This technology is considered to be a Singularity by Wings and Grade 1 Fixers.

The main function of the Glass Window is superimposing Mirror Worlds onto whatever is viewed through it, though in a blurry state. It's noted to be less stable than Yi Sang's Mirror technology, but in exchange it's capable of superimposing a much larger number of Worls at the same time.

The amount of Mirror Worlds and their intensity can be controlled through modifying the Glass Window's Refraction Rate. A higher Refraction Rate allows more overlayed Worlds to stack, at the cost of "yielding more of one's heart to the Glass Window".

Surviving high Refraction Rates without physically shattering involves attaining focus - a process involving perishing one's heart without killing it.

Most weapons cannot damage the Glass Window.

The Corridor:

The Corridor is a piece of technology that the Ring owns during the events of Leviathan. It's a liminal, seemingly-infinite space that can connect to places all over the City. As long as the area they wish to link has an exit, a matching entrance will appear within the Corridor.

Many of the doors within the Corridor are locked using mental locks, to be able to enter them one needs to think specific mental keywords as they attempt to open the door.

Inside the Corridor itself, electronics such as video recorders and ear pieces appear to malfunction.

Despite the Corridor being a mostly linear space, the complex and intricate rules by which its passages connect make it more than possible to get lost within. As such, navigating the Corridor is usually done when accompanied by a guide.

To navigate the Corridor by oneself, one needs to always remember two things - their starting point, and their destination. Knowing those two points will allow one to be able to find their way by feeling which directions to take. This is due to a phenomenon called Reversion of Causality, a phenomenon which some Singularities take advantage of as well.

Breaking through a wall in the Corridor leads to a massive hall made of constantly shifting purposeless surfaces lined within even more purposeless doors. Staying within this outer hall is dangerous, as one would become stuck here if the doors within the Corridor reassembled themselves.

Shin and Mang:

Shin is a technique Vergilius learned from (who's implied to be) the Purple Tear. Shin involves completely relinquishing the control of one's body to one's mind, specifically one's memories and the feelings associated with them. When Shin is used, it causes glowing rings to appear around the weapon (or body part if weaponless) one is using to fight. The glow of these rings is constantly emphasized to be that of the moon.

Vergilius describes Shin as "the power of Light", and "the power of sin".

To use Shin, one needs Mang (referred to as luna/lunae when not a proper noun), often multiple of them. Using Mang is described as filling onces emptied minds with dense and heavy memories, then letting the lunae of these recalled feelings guide one's movements.

Random Miscellanous Bits of Info:

It's a tradition in District 8 (H Corp's) to gift apples on Christmas Eve, to wish the giftee a peaceful night.

Cellphones in the City seem to be at a stage in-between Iphones and slightly older smartphones. The screen only takes up roughly half of the phone, but it appears to be a touchscreen due to the lack of mechanical buttons.

Related to that, payphones also exist in the City. The District the payphone is in gets shown to the one recieving a call from one.

The Seven Association holds seminars for new and aspiring Fixers that teaches them the basics, such as information about major Syndicates, Singularities, spatial awareness, etc. The Seven Association also holds Fixer qualification tests.

Higher education is something one can pursue in the City.

There are still video recorders that use videotapes in the City.

Cognition-warping ID Cards are a thing within the City. However, they are noted to only be useful for brief deception.

One of the canonical Mirror Worlds is literally our world.

Airplanes don't exist in the City.

[moongothic]

Okay so realistically speaking, giving birth is an excruciating, painful nightmare, and from the few Crocodad fics I've seen most people seem to prefer to write realistic pregnancy and make Luffy's birth a (physically) painful thing. Because it makes sense, it might be more relatable for some writers that way etc, and that's perfectly fine (like genuinely, it's not an issue at all, this is not a critique or a complaint)

God I don't know how to make this segue- Have any of you watched Ore Monogatari!! (My Love Story)? It's a great early 2010s romantic comedy series, funny as hell, super cute and sweet, would reccomend, but that aside. During the series the protagonist Takeo's mother gets pregnant and she ends up giving birth to Takeo's baby sister. And it's that scene, where Takeo's baby sister is born, that I keep on thinking back to whenever I wonder how Luffy's birth might've gone.

Takeo and his mother alike are Sturdy Motherfuckers. Like absolute gigachads, borderline superhuman, it's great and it's funny as hell. And because of that near superhuman nature... Takeo's mother goes to give birth at 4:15 pm. And she has finished giving birth at 4:16 pm. One fucking minute is what it took for this woman to bring a child into this world. An absolute legend

The screencaps do not do justice to how fucking funny this is in the actual episode

And so like

Like we know Crocodile's been through absolute hell, being an amputee and all. And as Domino told us at the entrance of Impel Down, we also know the man did not even flinch when forced into Impel Down's traditional 200 Celsius cleansing bath (or 392F)

So Crocodile has better pain tolerance than the average person. Like, you might have to put in a bit of effort to cause him actually hurt. So if giving birth to Luffy was an absolute cakewalk for Crocodile, not only would it make perfect sense in-universe and be completely in-character for him, but also

It would be objectively funny as hell

[spaciebabie]

I love your anon design so so so so much, they live in my head rent-free, tired gray queer trying to make it through life, they own my heart and soul.

y/n prepares for their nightmare shift where all of the ppl they work w/are insane, want them carnally, or are both at the same time.

they cant even have coffee ta cope w/the horrors. everytime they drink it their body fucking explodes in hatred of them. but thats okay, they have tea :]

[sera8273]

SPOILERS OF STOLITZ FIGHT ON FULL MOON!!

When we see Blitz dad, Bucko. It’s clear that he’s a piece of shit. And only loves Blitzo if he does the things he’s told to do properly.

So when Stolas basically breaks off the deal with Blitz, he panics. And I quote:

“I don’t understand, why are you giving me this? Am I not like fucking you good enough, b-because I can always- I can always do better-“

He thinks that Stolas is ending their arrangement because he isn’t doing good enough!

When he goes shopping for his and Stolas arrangement. He grabs the things that Stolas would like and want. His talk with Fizz represents that

When Fizz shows the Obsidian beads to Blitz, we see-

“Oh it’s beautiful but Stolas never seemed into the beads.”

But when Fizz takes out ‘New Dragon Driller 5000!’ We get this-

“There we go! That’s his speed! I will take that!”

They’re things that would make him happy. Make him proud.

At the end of the scene when he’s lashing out and starts to yell and stomp, hes doing that because that what he does when he’s confused, angry, upset, or in general doesn’t understand the situation and this is shown multiple times throughout the series. And we know that, but Stolas doesn’t.

So when Blitz is actually does try and apologize to Stolas, it hurts even more because it means that Stolas has gained that level of trust. But too late.

[cadere-art]

Black Leopard, Red Wolf and Moon Witch, Spider King by Marlon James

After many, many months, I have finally managed to finish reading this series (well, the first two books, because the third one is not out yet). Mostly, I loved it.

I feel like I need to insist on the fact that these books are so long. They are so, so long. The Poppy War books are shorter. LotR books are shorter. ASoIaF books are shorter. The damned Wheel of Time books are shorter - as a matter of fact, I got through two thirds of Wheel of Time in the time it took me to read these two books.

I've seen a lot of reviews compare this series to LoTR, which I think is both an apt and completely inaccurate comparison. Like reading LotR, reading Black Leopard, Red Wolf and Moon Witch, Spider King is kind of a labour of love, because while the books are very good, they're also very long, slow paced, and honestly a little bit of a chore to read at times. They are not very bingeable books. They both have absolutely stellar worldbuilding. They have entirely different themes, moods, and general message.

I've also seen a lot of reviews comparing this series to ASoIaF, which is very easy to see where that's coming from but does this series a disservice. These books are dark. They're the grimdark ASoIaF wishes it was. They're also much, much better than ASoIaF, with much more consistent and consequent worldbuilding and darkness that feels a lot more in line with actual human behaviour as well as a lot less gratuitious. It has to be said however that Black Leopard, Red Wolf and Moon Witch, Spider Kind both come with essentially every imaginable trigger warning.

The worldbuilding in both books is stellar, and the stylistic writing choices (make the book harder to read) really support the worldbuilding. The story takes us to a fantasy Africa very inspired by western and central African mythology, and it manages to transport you to this setting in a very impressive way, which is what I love a book to do the most. The books are written in an African english dialect (wikipedia tells me Jamaican patois is used in dialogues, but I am unsure if there are other dialects used as the body of the text was not standard american english either), which made them - especially the first one - much more difficult to understand to me, but really grounded the worldbuilding. It felt like I was reading another language in english. It reminded me of feeling of reading quebecois books written in joual - joual is my own language, so where joual writing feels both strange and familiar and kind of wrong, english is my second language and African American dialects are less familiar to me, so Marlon Jame's writing felt doubly foreign. This made it a difficult, but absolutely fascinating and fascinating read - exactly the kind of "dépaysant" I love to experience.

It was also a nice change of pace to read a book with a queer protagonist whose queerness was actually informed and shaped by the setting.

[pepperpixel]

I’m sick of the feeling that I always have to have enough pictures for a photoset to post anything. So. I’m rebelling against that stupid fuckin feeling and just posting this chara stand alone! There’ll probably be a frisk to go w it eventually! But! U’ll just have to wait lol

[shining-gem34]

Dan Feng/Dan Heng and the Aeons (1)

Note: This is all HC of what I think their opinions regarding the Aeons of Long, Lan, and Yaoshi until otherwise revealed.

"The Vidydhara, as a whole, do not forget our origins. The hatchlings of the present are not as devout as their seniors, but we cannot forget. Long existence is like a code etched deeply into our souls- A cycle we cannot escape from. Their gift...is both a blessing and a curse." -Dan Feng.

In general, Dan Feng respects Long and understands their importance to the Vidyadhara as a whole. As High Elder, he is required to partake in committees discussing his clan celebrations and give the final word where the planning is directed. In any important rituals, the leading role naturally falls to the High Elder to make sure it goes off without a hitch. Otherwise, in private, Dan Feng very little practices his faith. He holds Long, their Creator close to his heart. But, not so close he considers himself a devout worshipper compared to the other Vidyadhara. However, with the ongoing problem of the Vidyadhara species in slow decline and his personal issues- Dan Feng can't help resent Long just a little bit. After all, their blessing is starting to become more of a curse at this point. But how can he, a mortal, judge an Aeon? Not just any Aeon, but the Aeon of Permanence who given birth to the Vidyadhara. To reject Long, even deceased, is considered blasphemy.

"I do not share the Vidyadhara faith in Long. The reason...Well, I'm sure you understand why by now. Unfortunately, I am that man reincarnation. As long as I hold this power, my encounters with the Vidyadhara will not end here." -Dan Heng

Dan Heng has no love or hate towards Long. He acknowledges their existence, their importance to the Vidyadhara, and their relevance to him. He does not love Long, because he does not worship them- respect them, yes. He does not hate Long, because the ones who hurt him are their children. Besides, what reason does he have to hate an Aeon who ihas long passed away? Despite the Preceptors best efforts to educate him, Dan Heng obviously does not practice their faith in Long. If he must, it will be after the events in Xianzhou Luofu where he's learning more about their culture including the Vidyadhara. Something he never got to do during his imprisonment. Everything he learns and research will go into the databank. But also, it's helping Dan Heng understand more about a place he never saw as a home. Slowly, it may also help him gain a deeper understanding of his past incarnations knowledge and Long.

"The Reignbow Arbiter, unless summoned, has no reason to appear before us. We are their warriors, raising our weapons, and vowed to eliminate every last one of Yaoshi abominations. Yet, what honor can be gained for losing your life in this eternal war?" -Dan Feng

While Dan Feng is closer to Long than Lan, he respects them no less. The Reignbow Arbiter eternal pursuit against Yaoshi inspired the Xianzhou to take arms and follow them. Their beliefs aligned with Lan determination to eliminate the Abominations of Yaoshi and that hasn't changed even in the present.

Dan Feng is the High Elder of the Vidyadhara. Naturally, his first priority are his clan and the Xianzhou natives second. There are times when it is difficult to make a decision: to find a compromise. Because he is not only Vidyadhara, but he is also a soldier who spoke his vows to the Hunt as many others had done. The war he joins and fight is for the sake of his people AND the Xianzhou.

Is it conflicting when he follows Long and Lan? The simple answer is no, because there is no point in trying to understand what the Aeons are thinking (especially since Long has long passed.)

Dan Feng knows his priorities. It's in the present where his people rely on him for safety and guidance. It's where his friends/families, and his lovers (or fiances/spouse) matter the most to him.

He is the High Elder of the Vidyadhara Luofu, a member of the HCQ, a friend to a selected few, and...a lover to the most amazing people (Yingxing and Jing Yuan) in his life.

Dan Feng is never described as a person with feelings. But his heart, his human bleeds, seeing the loss in the endless war against the Abundance.

That's why he can never understand why so many see it as an honor to die fightning for their homeland. Not when they still have people waiting for them to return home.

And a part of him that he kept locked away resents Lan [Aeons] for this.

But again, Aeons are beyond mortal understanding. What does his opinion matter?

"Before I met Himeko, I was a wanderer. I followed the Hunt, because I felt like I was required to in order to redeem myself. Wherever I went, battles follow and I had to fight to survive. If an abomination of Abundance appeared...I felt compelled to fight and eliminate them. " -Dan Heng

Initially, Dan Heng believed if he followed the path of the The Hunt, then it would distance himself further away from Dan Feng. Not only that, but it would enforce his identity as "Dan Heng". The crimes of his past self had committed should've been absolved after he reincarnated. Yet, it didn't matter in the end as Dan Heng is punished for his past incarnation crimes. As for his opinion of Lan, Dan Heng will admit he is biased. He knows the consequences for seeking immortality; a monster. He agrees with Lan end goal- to kill Yaoshi. By extension, he also agrees with the Xianzhou cause as well. Dan Heng respects Lan and their ideals, but he does not walk the same path as their followers do. Because Dan Heng is an exile, marked as a criminal for a sin his past incarnation had done. But that's alright, because Dan Heng found his place in the universe as a Nameless on the Astral Express.

"Do not heed the words of Yaoshi worshippers. The Plague Authors mercy is a curse in disguise of a blessing. Their "love" is sweet on the tongue, but they're vile. A disease festering in your core. A parasite slowly eating away your life and sanity as your body rots." -Dan Feng

Dan Feng absolutely abhors Yaoshi, but more than that he hates himself for resorting to use a flesh of an Emanator of Abundance. But he believed at the time he was doing the right thing for the right cause. In the aftermath, within his prison, he feels only regrets and defeat...

"I do not agree with the Disciples of Sanctus Medicus. There's a reason why Yaoshi existence does more harm than good. They bring life, but they also sow discord and suffering. Dan Feng knew that, so why did he...?" -Dan Heng

Dan Heng is absolutely confused why his past incarnation committed one of the Unpardonable Sins. He abhors Yaoshi, any of their children are dead on sight.

[sea-jello]

happy mid autumn festival to my girl chang’e today is literally her day

[amethsys]

Hhhhhhhhhhhhhhhhh this one is. It sure is! Read mine fucking fic boy

[crossbackpoke-check]

re last answer: please don't stop, being very unhinged about these two pretty white boys is helping distract me from the sharks losing streak rn so bring it on

https://www.tumblr.com/bondedpairs/764566430180147200?source=share

(sideblog woes but there's the link for you) anyway in the vid they talk about going over to each other's houses to have dinner and things and while that is a delicious example of their codependence i love it bc through an rpf lens there is definitely some old man ******* going on. they can have the dilfs and each other.

(someone else mentioned kept boys which i could write an essay on but i fear being Perceived™️)

anyway if you have anything to add to this please do, if not ignore me and i will hide under a rock until the stress-related insanity has worn off and i am a functioning member of society once more 😂

- @bondedpairs

ty for the video!!! and please, WRITE THE KEPT BOYS ESSAYYYY i promise i will read it with my hands over my eyes if you don’t want to be perceived. do it scared!! do it anyway!! we’ll all love you for it!!!

[electriccnoir]

fuck it, furry howince

[eeveekitti]

at last i have finished the hunter's campaign moon cuddles for celebration

EDIT: MOON PETS